 In these two Zanguts-style* releases I take the last few minutes from many of my 1988 tapes for an exhibition of the concluding moments which I feel are often ignored and not paid full attention to by listeners. I think that by the time a listener is coming to the end of a 30 minute piece, their attention has shifted and they are at best lost in the piece and cannot view it from a fresh perspective. Minóy says the first tape was so frightening that he had trouble listening to it in one sitting. The sequel was composed and assembled in 1992.
 In these two Zanguts-style* releases I take the last few minutes from many of my 1988 tapes for an exhibition of the concluding moments which I feel are often ignored and not paid full attention to by listeners. I think that by the time a listener is coming to the end of a 30 minute piece, their attention has shifted and they are at best lost in the piece and cannot view it from a fresh perspective. Minóy says the first tape was so frightening that he had trouble listening to it in one sitting. The sequel was composed and assembled in 1992.
Wednesday, January 04, 2006
Enders Game*
 In these two Zanguts-style* releases I take the last few minutes from many of my 1988 tapes for an exhibition of the concluding moments which I feel are often ignored and not paid full attention to by listeners. I think that by the time a listener is coming to the end of a 30 minute piece, their attention has shifted and they are at best lost in the piece and cannot view it from a fresh perspective. Minóy says the first tape was so frightening that he had trouble listening to it in one sitting. The sequel was composed and assembled in 1992.
 In these two Zanguts-style* releases I take the last few minutes from many of my 1988 tapes for an exhibition of the concluding moments which I feel are often ignored and not paid full attention to by listeners. I think that by the time a listener is coming to the end of a 30 minute piece, their attention has shifted and they are at best lost in the piece and cannot view it from a fresh perspective. Minóy says the first tape was so frightening that he had trouble listening to it in one sitting. The sequel was composed and assembled in 1992.
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